Preparation: Why Reading Pace Varies by Language
When setting up a multilingual project, we always start by looking at sentence structure. Dutch has clear, even vowel sounds. European Portuguese works differently: vowels are pronounced shorter, and sentences link together in a unique way.
A script that looks perfect on paper needs breathing room in the recording booth. If you record a literal translation, you will notice the voice actor has to cram words in. Rewriting a sentence in the studio feels like fitting a tailored suit. You only truly adjust it when you first move. On paper, a sentence might look too short. But in front of the microphone, it often fits perfectly.
In the Studio: The Director's Role
When a voice actor enters the soundproof booth, we listen carefully from the control room. For languages like Portuguese, we focus not just on content, but especially on the natural melody.
A key step in our process is the live coordination between the director, the client, and the voice. We go through the text line by line to identify any rhythmic issues.
Director's Tip: European Portuguese has its own distinct dynamic with shortened vowels. If the video's timeframe is tight, do not let the voice actor strain to read every connecting word. Give the speaker room to simplify the text on the spot into natural spoken language. What seems grammatically essential in writing often sounds redundant when spoken.
Choosing the Right Tone for Your Message
Not every corporate video or commercial needs the same vocal tone. A technical instruction video requires clear, calm explanations, while a brand video benefits from a deeper, more human sound.