A corporate voice-over is the voice you hear in internal videos, annual reports, instructions, or presentations. Think of it like a comfortable, perfectly fitting wool jumper. It feels reliable, warm, and conveys a calm authority. This voice doesn't need to shout to get attention. The listener is already engaged, for example, as an employee, customer, or shareholder.
The tone here is informative and helpful. The voice guides the listener step-by-step through the information without being pushy. The goal is for the message to be understood and remembered.
Why does a commercial voice-over require a completely different approach?
With a commercial voice-over, the focus is entirely on persuasion and action. This is like the bright raincoat that stands out on the high street. The listener here is often a casual passer-by on social media, watching television, or listening to the radio, whose attention needs to be captured within the first two seconds.
This genre requires a specific dynamic:
- The voice needs to evoke an emotional response immediately.
- There is often more melody, rhythm, and energy in the delivery.
- The script aims for a specific action, such as a purchase or a sign-up.
How does the pricing difference between these two styles work?
You also see the difference in approach reflected in how the recording price is calculated. Because the scope of videos varies, the industry uses two separate pricing structures.
For a commercial voice-over, you pay a fixed basic fee for the studio recording, supplemented by a ‘buy-out’. This is a fee for the usage rights of the voice. The amount of that buy-out depends on the medium (such as local radio, national television, or social media) and the period during which the advert will be broadcast.
For non-commercial work, such as an internal corporate film voice-over, we usually calculate the price per word or per project. Here, no additional fee for usage rights is needed after the recording, because the video is not actively used to directly generate profit through paid media campaigns.
How do you choose the right tone for your project?
As a voice director, I often see the line between both genres blur on paper. Here's a good practical tip: have the voice actor smile with their eyes, not with their mouth. When a voice smiles too broadly during recording, a corporate text quickly takes on that typical commercial advertising tone. By only smiling with the eyes, the sound remains warm and friendly, yet credible and professional.
Our Flemish voices know exactly how to make this distinction. A voice like Mark, for example, naturally exudes a lot of confidence and maturity, which works excellently for a corporate video. If you're looking for a voice with a warm and recognisable timbre that immediately creates a personal connection, then Brecht, who you might also know as JOE-DJ, is an excellent choice.
