The Challenge: When a Closed Mouth Clashes with an Open Vowel
The original speaker used many words with the letters p, b and m. These are labial sounds, where the lips must physically meet. In the original French, these lip closures occurred at different times compared to a literal Dutch translation.
If you simply have such a translation read aloud, it immediately creates friction. The viewer sees the speaker close their mouth for a French 'm', while the Dutch voice actor holds an open 'a'. The image and sound clash like a zip whose teeth won't interlock; the whole thing jams. A simple translation is not enough. The sentence structure needs adjustment to match the physical movements of the face on screen.
The Approach: Rewriting Based on Mouth Positions
To solve this, we reworked the translation sentence by sentence, following the editing timeline. We focused not only on the message's meaning, but crucially on the speaker's visual anchor points.
The process involved three targeted steps:
- Visual analysis: we mapped every moment the original speaker started speaking, stopped breathing, or made a clear lip closure.
- Rhythmic text editing: we shortened or rephrased sentences so that a Flemish word with a p-, b- or m-sound precisely matched the visible lip movement.
- Voice selection: we chose an experienced voice actor skilled in lip-sync acting. They could easily adjust to director's instructions.
For this specific production, we looked for a voice with a natural, approachable tone.